The Gallery Nucleus show was great! If you haven’t been before, it gets my highest recommendation. A wonderful, open gallery space run by Wade Buchanan, with an awesome bookstore in the front. Someone was taking photos of the show and got this great shot of my Knight piece, so I’m reposting it here. Thanks to Wade and co. for a great opening reception.

And kudos also to the board of this year’s Illustration Conference, I really enjoyed it. The “big tent” approach to the panel schedule was perfect and really kept everyone on the same page.

I’m heading down to ICON later this week, and am excited to be part of a group show that is tied into the conference. The exhibition is titled ICON 6: A Labor of Line, and features a great lineup of illustrators. The knight painting above is my contribution to the show, and it is for sale. Contact Wade Buchanan at 626.458.7477 for inquiries.

The show opening is this Friday, July 16th, from 7 to 11 p.m., and I’m planning on being there. Gallery Nucleus is located in Alhambra at 210 East Main Street. Come on out!

Finished this over a week ago and just forgot to post until now. The latest entry in my “dialogue” with friend and fellow artist Peter Cusack. Peter’s last entry was of a farmer with some cows, so I answered with this little Halloween cow (my daughter in her first trick-or-treating costume).

Been a long while since posting, and that’s because I’ve been buried in work, much of it for this upcoming show. Hope all those reading this in the Santa Barbara area will be able to attend. 5:30-7:30 p.m. this Friday, May 14th, at the clubhouse of the Tennis Club of Santa Barbara.

Time for some art. Recent painting done for fun, a few brushstrokes at a time over the course of several months. Oil on canvas mounted on panel, 8×8 inches.

It was a pleasure doing this pro-bono job for my buddy & colleague John Blondell at Westmont College. When John asked me if I would be interested in doing the poster for a series of six short plays by Samuel Beckett, I had only one condition: as long as it could be a portrait of Beckett, I was in. He’s got one of those fascinating faces, with an intense stare, and I had a great time drawing and painting him.

This piece was a departure for me media-wise: acrylic and pencil on watercolor illustration board. It was also done at a scale I would have never thought would be comfortable for me, around 18×24. Much to my surprise, this one went quickly and easily.

The thumbnail sketch concept for the poster, drawn with ballpoint pen on a Post-It note

The tight sketch, drawn with pencil on vellum

The full original art, sans text

The finished printed posters

This is the second time I’ve painted Picasso. While I’ve got immense respect for the man, especially the enormity of his artistic output, I don’t't really consider myself a huge fan of his work. He’s simply got a great face to paint.

This began life as a guest demo for the VADA program at my old high school, and is an attempt for me to branch out a bit in terms of the range of my work. While the drawing and style of painting is exactly the same as how I always approach my usual work, this one is a bit of a departure for me in terms of color palette. I honestly had so much fun with this one that I’m sure I’ll be doing some more portraits with this kind of muted grays-on-color approach.

Been a while, but it was a decently productive holiday break for me, so there should be (knock on wood) a couple of posts in quick succession here. First up is a still-life which will be a gift for a faculty colleague whose home was burned in the Tea Fire a year ago.

My wife’s birthday fell on the day after Mother’s Day this year, so I knew I had to come up with a nice gift to celebrate both days, and on a budget. So when you tell an artist that they’re not allowed to spend any money on you, you pretty much know you’re going to end up with a painting for a gift. I’ve been wanting to paint our daughter ever since she was born, so this seemed the perfect time to do so.

The gift ended up late because the week I started this, we ended up being evacuated due to a wildfire that came within blocks of our home. Being the procrastinator that I am, this was of course the week before Mother’s Day itself, so I was already pushing it to begin with. I finally finished the piece and my ever-patient wife thankfully found it to be worth the wait. Now that it’s been varnished and photographed, I can finally share it with all of you!

Above is the initial thumbnail sketch on a Post-It, where I came up with the basic idea, followed by the final tight sketch. You may notice that while I drew angel wings on the initial sketch, I wisely realized that would perhaps be a bit much and dropped them from the final.

Above is the final tight sketch. I drew the lines and circles in Photoshop to make sure they were nice and perfectly geometric, printed the sketch out in reverse on a laser printer, and then placed the print face down on the canvas and went over the back of it with a Chartpak blender marker. This transfers the toner down onto the panel, leaving me with the sketch facing the right side up, and more importantly, saving me the effort of tracing over my lines as I usually do when I coat the back of my sketches with charcoal. I’ll continue to tinker with this particular method of transferring my sketches, as the toner transfers on very dark, and tends to come up a bit through some of the thinner layers of paint.

Eagle-eyed viewers might notice a few differences between the sketch and the final, most notably the hair. When I first started this piece, I was already working from reference that was a couple of months old. By the time I got around to finishing the piece, Natalie’s hair had grown significantly longer as well as becoming lighter. They really do grow up fast.

The sketchbook project with Peter Cusack moves along, albeit at a snail’s pace, and it’s my fault it’s taking so long—I had a busy February and finally got to work on it just in the last few days. I know I keep saying this, but I’ll get to it quicker next time, Pete!

Last time, I riffed off of Peter’s walking couple and came up with a different kind of walk. Peter took that idea and came up with a different idea for a leash. So for my turn, I decided to riff off of his man with a fedora, and in honor of the Watchmen movie finally coming out, painted a portrait of someone else well known for wearing fedoras, the vigilante Rorschach. This was painted with acrylics, which I am slowly getting more comfortable with.